05 May 2021 19:30 Uhr
Graz, Austria
MUMUTH
CREDITS:
Choreography:
Felix Chang
Dance:
Chóng Chén
Ya Chin Huang
Phoebe Huang
Felix Chang
Music:
I Come.com – Miss Kittin
WEMAN
WEMAN opens from a third-person perspective, questioning self-identity, gender rights, and equality. Within a seemingly harmonious stage, layers of emotion unfold through solo, duet, and ensemble — each constellation of bodies revealing tension, intimacy, and conflict.
The interplay of flashlight and darkness creates a shifting landscape, where light becomes both a witness and a partner to movement. In this fragile dialogue between illumination and obscurity, the work searches for resonance within dissonance — a choreography of bodies, identities, and voices striving to be seen and heard.
Supported by: Folkwang University of the Arts
2018, 20:00 Uhr,
Essen DE
Weststadthalle
2018, 20:00 Uhr,
Essen DE
Pina Bausch Theater
WEMAN
WEMAN opens from a third-person perspective, questioning self-identity, gender rights, and equality. Within a seemingly harmonious stage, layers of emotion unfold through solo, duet, and ensemble — each constellation of bodies revealing tension, intimacy, and conflict.
The interplay of flashlight and darkness creates a shifting landscape, where light becomes both a witness and a partner to movement. In this fragile dialogue between illumination and obscurity, the work searches for resonance within dissonance — a choreography of bodies, identities, and voices striving to be seen and heard.
Supported by: Folkwang University of the Arts
CREDITS:
Choreography:
Felix Chang
Dance:
Chóng Chén
Ya Chin Huang
Phoebe Huang
Felix Chang
Music:
I Come.com – Miss Kittin
2018, 20:00 Uhr,
Essen DE
Weststadthalle
2018, 20:00 Uhr,
Essen DE
Pina Bausch Theater
WEMAN
WEMAN opens from a third-person perspective, questioning self-identity, gender rights, and equality. Within a seemingly harmonious stage, layers of emotion unfold through solo, duet, and ensemble — each constellation of bodies revealing tension, intimacy, and conflict.
The interplay of flashlight and darkness creates a shifting landscape, where light becomes both a witness and a partner to movement. In this fragile dialogue between illumination and obscurity, the work searches for resonance within dissonance — a choreography of bodies, identities, and voices striving to be seen and heard.
Supported by: Folkwang University of the Arts
CREDITS:
Choreography:
Felix Chang
Dance:
Chóng Chén
Ya Chin Huang
Phoebe Huang
Felix Chang
Music:
2018, 20:00 Uhr,
Essen DE
Weststadthalle
2018, 20:00 Uhr,
Essen DE
Pina Bausch Theater
CREDITS:
Choreography:
Felix Chang
Dance:
Chóng Chén
Ya Chin Huang
Phoebe Huang
Felix Chang
Music:
I Come.com – Miss Kittin
WEMAN
WEMAN opens from a third-person perspective, questioning self-identity, gender rights, and equality. Within a seemingly harmonious stage, layers of emotion unfold through solo, duet, and ensemble — each constellation of bodies revealing tension, intimacy, and conflict.
The interplay of flashlight and darkness creates a shifting landscape, where light becomes both a witness and a partner to movement. In this fragile dialogue between illumination and obscurity, the work searches for resonance within dissonance — a choreography of bodies, identities, and voices striving to be seen and heard.
Supported by: Folkwang University of the Arts
