Felix Chang’s artistic practice explores the body as a living archive. Drawing on Taiwanese cultural philosophies, Chinese classical dance, and contemporary dance, he deconstructs deep physical and cultural memories as a research-driven medium. Through principles such as gesture articulation, extended breathing, and spinal and circular movement, he recodes tradition into contemporary choreographic systems.
In works like WúJìn (2023), he examined presence and how minimal movements shape space, inspired by the Classic of Mountains and Seas. Other works, including WILL TIME CARRY YOU SOMEPLACE I CANNOT FOLLOW? (2025), WúXíng(2024), Wú|Yī(2024), Inner(2021), , and If You Can See Me (second place, Pfefferberg Theater, 2020) reflect this evolving approach.
Through precise physical control and an acute sensitivity to spatial and temporal relationships, Chang creates shared sensorial fields where historical resonance meets present immediacy. His performances invite audiences into heightened relational awareness and collective vibration, transforming observation into embodied reflection.
"Felix Chang's choreography is based on Taiwanese temple rituals. The piercing screams of evident pain and the violent trembling of his body are visually powerful. Finding something of oneself within an exotic culture is an exhilarating experience."
– Dance CriticHeike Marx
"The chanting of scriptures blending seamlessly with the music, the fusion of dance and spirituality, and the ritualistic display of movement deeply interpret the message: 'If there’s an afterlife, we must meet again.'"
– Overseas Affairs Reporter Yi-Wen Cheng
"As a dancer, Felix Chang delivers an impressively remarkable performance, striving forward through the chains of newspapers, mainstream discourse, and the shackles of torture."
– Dance Critic Ralf- Carl Langhals
Felix Chang’s artistic practice explores the body as a living archive. Drawing on Taiwanese cultural philosophies, Chinese classical dance, and contemporary dance, he deconstructs deep physical and cultural memories as a research-driven medium. Through principles such as gesture articulation, extended breathing, and spinal and circular movement, he recodes tradition into contemporary choreographic systems.
In works like WúJìn (2023), he examined presence and how minimal movements shape space, inspired by the Classic of Mountains and Seas. Other works, including WILL TIME CARRY YOU SOMEPLACE I CANNOT FOLLOW? (2025), WúXíng (2024), Wú|Yī (2024), Inner (2021), , and If You Can See Me (second place, Pfefferberg Theater, 2020) reflect this evolving approach.
Through precise physical control and an acute sensitivity to spatial and temporal relationships, Chang creates shared sensorial fields where historical resonance meets present immediacy. His performances invite audiences into heightened relational awareness and collective vibration, transforming observation into embodied reflection.
"Felix Chang's choreography is based on Taiwanese temple rituals. The piercing screams of evident pain and the violent trembling of his body are visually powerful. Finding something of oneself within an exotic culture is an exhilarating experience."
– Dance CriticHeike Marx
"The chanting of scriptures blending seamlessly with the music, the fusion of dance and spirituality, and the ritualistic display of movement deeply interpret the message: 'If there’s an afterlife, we must meet again.'"
– Overseas Affairs Reporter Yi-Wen Cheng
"As a dancer, Felix Chang delivers an impressively remarkable performance, striving forward through the chains of newspapers, mainstream discourse, and the shackles of torture."
– Dance Critic Ralf- Carl Langhals