WEMAN
WEMAN opens from a third-person perspective, questioning self-identity, gender rights, and equality. Within a seemingly harmonious stage, layers of emotion unfold through solo, duet, and ensemble — each constellation of bodies revealing tension, intimacy, and conflict.
The interplay of flashlight and darkness creates a shifting landscape, where light becomes both a witness and a partner to movement. In this fragile dialogue between illumination and obscurity, the work searches for resonance within dissonance — a choreography of bodies, identities, and voices striving to be seen and heard.
Supported by: Folkwang University of the Arts
Choreography: Felix Chang
Dance: Chóng Chén, Ya Chin Huang, Phoebe Huang & Felix Chang
WEMAN
WEMAN opens from a third-person perspective, questioning self-identity, gender rights, and equality. Within a seemingly harmonious stage, layers of emotion unfold through solo, duet, and ensemble — each constellation of bodies revealing tension, intimacy, and conflict.
The interplay of flashlight and darkness creates a shifting landscape, where light becomes both a witness and a partner to movement. In this fragile dialogue between illumination and obscurity, the work searches for resonance within dissonance — a choreography of bodies, identities, and voices striving to be seen and heard.
Supported by: Folkwang University of the Arts
Choreography: Felix Chang
Dance: Chóng Chén, Ya Chin Huang, Phoebe Huang & Felix Chang
WEMAN
WEMAN opens from a third-person perspective, questioning self-identity, gender rights, and equality. Within a seemingly harmonious stage, layers of emotion unfold through solo, duet, and ensemble — each constellation of bodies revealing tension, intimacy, and conflict.
The interplay of flashlight and darkness creates a shifting landscape, where light becomes both a witness and a partner to movement. In this fragile dialogue between illumination and obscurity, the work searches for resonance within dissonance — a choreography of bodies, identities, and voices striving to be seen and heard.
Supported by: Folkwang University of the Arts
Choreography: Felix Chang
Dance: Chóng Chén, Ya Chin Huang, Phoebe Huang & Felix Chang
