WÚJÌN 無盡
Wújìn (without end; Buddhist language, referring to inaction, non-existence, and, boundless).
Wújìn draws inspiration from the Shan Hai Jing’s “Mountain Spirit” — a ghostly, poetic figure who wanders between mountain and mist, longing for unseen connection — and from the ritual life within Taiwanese temple culture. The work unfolds as a meditation on transformation and the cyclical exchange between spirit and matter, myth and body.
Through the lens of philosophical reflection, Wújìn bridges ancient cosmology and contemporary embodiment, searching for the invisible threads that link human longing with natural rhythm. The performance becomes a ceremony of listening — where every gesture recalls an ancestral pulse, and silence becomes the echo of mountains.
“If there’s an afterlife, we have to meet again“
Supported by: Kulturamt Mannheim & Theater Felina-Areal
Choreography: Felix Chang
Dance: Miriam Markl & Felix Chang
Composer: Giuseppe Rizzo
Stage Assistant: Mireille Solomon
Photographer: Jonathan Schüßler
Costume design: Mar Sanchez Cisneros
Project manager: Vivian Schöchlin
Dramaturgie, Projekt-leitung: Toni Kelm
21 DEC 2023,
Frankfurt DE
Frankfurt LAB
22 DEC 2023,
Frankfurt DE
Frankfurt LAB
20 MAY 2023,
Mannheim DE
Felina-Areal Theater
23 MAY 2023,
Mannheim DE
Felina-Areal Theater
23 Nov 2025,
Dresden DE
INTER HOCH 3 · PT. 2 IM UMBRUCH — Go. Stay. Dance. Grosser Saal · Zentralwerk
WÚJÌN 無盡
Wújìn (without end; Buddhist language, referring to inaction, non-existence, and, boundless).
Wújìn draws inspiration from the Shan Hai Jing’s “Mountain Spirit” — a ghostly, poetic figure who wanders between mountain and mist, longing for unseen connection — and from the ritual life within Taiwanese temple culture. The work unfolds as a meditation on transformation and the cyclical exchange between spirit and matter, myth and body.
Through the lens of philosophical reflection, Wújìn bridges ancient cosmology and contemporary embodiment, searching for the invisible threads that link human longing with natural rhythm. The performance becomes a ceremony of listening — where every gesture recalls an ancestral pulse, and silence becomes the echo of mountains.
“If there’s an afterlife, we have to meet again“
Supported by: Kulturamt Mannheim & Theater Felina-Areal
Choreography: Felix Chang
Dance: Miriam Markl & Felix Chang
Composer: Giuseppe Rizzo
Stage Assistant: Mireille Solomon
Photographer: Jonathan Schüßler
Costume design: Mar Sanchez Cisneros
Project manager: Vivian Schöchlin
Dramaturgie, Projekt-leitung: Toni Kelm
WÚJÌN 無盡
Wújìn (without end; Buddhist language, referring to inaction, non-existence, and, boundless).
Wújìn draws inspiration from the Shan Hai Jing’s “Mountain Spirit” — a ghostly, poetic figure who wanders between mountain and mist, longing for unseen connection — and from the ritual life within Taiwanese temple culture. The work unfolds as a meditation on transformation and the cyclical exchange between spirit and matter, myth and body.
Through the lens of philosophical reflection, Wújìn bridges ancient cosmology and contemporary embodiment, searching for the invisible threads that link human longing with natural rhythm. The performance becomes a ceremony of listening — where every gesture recalls an ancestral pulse, and silence becomes the echo of mountains.
“If there’s an afterlife, we have to meet again“
Supported by: Kulturamt Mannheim & Theater Felina-Areal
Choreography: Felix Chang
Dance: Miriam Markl & Felix Chang
Composer: Giuseppe Rizzo
Stage Assistant: Mireille Solomon
Photographer: Jonathan Schüßler
Costume design: Mar Sanchez Cisneros
Project manager: Vivian Schöchlin
Dramaturgie, Projekt-leitung: Toni Kelm
23 Nov 2025,
Dresden DE
INTER HOCH 3 · PT. 2 | IM UMBRUCH — Go. Stay. Dance. Grosser Saal · Zentralwerk
